Ray Mason was born on December 9, 1935 in the USA. He was an actor, known for To All My Friends on Shore (1972). He died on June 18, 2011 in St. Louis, Missouri, USA.
Ray McAleenan is known for All About Eva (2020).
The younger brother of director Leo McCarey, Ray McCarey entered the film business in the mid-'20s as a prop boy, working his way up to assistant director, screenwriter and then director. In the early 1930s he joined Hal Roach Studios, where he directed several Our Gang and Stan Laurel and Oliver Hardy comedies, then moved on to Columbia, where he helmed several of The Three Stooges shorts. McCarey worked in all genres and many studios, from musicals at Republic to westerns at Columbia, but most of his output was routine and he never achieved the stature of his famous older brother.
Indefatigable Ray McDonald was born to dance and dance he did. A New York City native born June 27, 1921, Ray was still in grade school when he and older sister (by three years) Grace McDonald formed a popular vaudeville tap dancing act. By the age of 16 Ray had made it to Broadway in the musical "Babes in Arms", in which he and Grace made quite an impression with the song "I Wish I Was In Love Again." Talent scouts took both of them to Hollywood, but not as a duo. Grace went to Paramount and later Universal, while Ray was signed by MGM. He seemed to have all the earmarkings of a star. Dark and boyishly handsome with energy to spare, he first played a leading role as a youth in the low-budget programmer Down in San Diego (1941), then kicked up his heels a bit in the Mickey Rooney/Judy Garland musical Babes on Broadway (1941), where he danced to "By the Light of the Silvery Moon." He appeared with Rooney again in the star's vehicle Life Begins for Andy Hardy (1941). After that, things stopped clicking. The momentum of his career was not helped by war service, where he at least managed to appear in both the stage and film versions of Winged Victory (1944). Unable to rise above the secondary ranks, the June Allyson/Peter Lawford collegiate musical Good News (1947) would prove to be Ray's last feature for MGM. Divorced from actress Elisabeth Fraser whom he met while appearing in the stage show of "Winged Victory" in 1943, he met and subsequently married fellow dancer/singer Peggy Ryan while freelancing in films. They appeared together in Shamrock Hill (1949) and There's a Girl in My Heart (1949) for Eagle-Lion, and later in the musical All Ashore (1953) for Columbia, a poor man's "On the Town" with Mickey Rooney, Dick Haymes and Ray as three swabbies on leave. This would be Ray's last film. During the subsequent lean years, he and Peggy toured stages and nightclubs until their divorce. Ray popped up on TV variety shows as well and in 1959, while in New York to appear on a show, he died after choking on food in his hotel room. He was only 37. Not remembered well today, as is the case with sister Grace, Ray McDonald nevertheless had a great musical talent and ingratiating presence, which certainly deserves a mention.
Ray McKinnon is a writer, actor, director and producer. He served from 2012 through 2016 as creator, showrunner, writer and director of the Peabody Award winning, Sundance TV series, "Rectify." As an actor, McKinnon has created a canon of unforgettable, offbeat and richly textured characters. In a career spanning two decades, McKinnon steadily built an impressive resume, including memorable roles on FX's critically acclaimed "Sons of Anarchy" (as Lincoln Potter) and the award winning HBO series "Deadwood" (as Reverend H.W. Smith). He has also appeared in series such as "NYPD Blue," "X Files" and "Matlock." Big screen credits include "Mud", "O Brother, Where Art Thou?", "Take Shelter", "The Blind Side", "Footloose", "Apollo 13", and "Bugsy". As a filmmaker, in 2008, he produced and starred in the critically praised indie feature, "That Evening Sun", and garnered an Independent Spirit Award nomination for Best Supporting Actor for his work as Lonzo Choat, opposite Hal Holbrook. McKinnon has complemented his work in front of the camera with other notable turns as a writer, director and producer. He has frequently collaborated with his friend Walton Goggins and his late wife, actress Lisa Blount, under their Ginny Mule Pictures banner. Their debut film, the McKinnon-penned and titular played, "The Accountant", won an Academy Award for Best Live Action Short in 2002. Their first feature, "Chrystal" (written and directed by McKinnon and starring Ms. Blount), was selected for the Sundance Film Festival's prestigious Dramatic Film Competition in 2004.
Ray McNeil was born on December 17, 1964. He was previously married to Sally McNeil. He died on February 14, 1995 in Oceanside, California, USA.
Ray Medrando is an actor, known for Killing Down (2006).
Ray Medved is an actor and editor, known for Waiting (2017), Gertrude (2009) and I Die Alone (2013).
Ray Mendoza is known for The Warfighters (2016), Live to Tell (2016) and The Terminal List (2022).
Ray Milland became one of Paramount's most bankable and durable stars, under contract from 1934 to 1948, yet little in his early life suggested a career as a motion picture actor. Milland was born Alfred Reginald Jones in the Welsh town of Neath, Glamorgan, to Elizabeth Annie (Truscott) and Alfred Jones. He spent his youth in the pursuit of sports. He became an expert rider early on, working at his uncle's horse-breeding estate while studying at the King's College in Cardiff. At 21, he went to London as a member of the elite Household Cavalry (Guard for the Royal Family), undergoing a rigorous 19-months training, further honing his equestrian skills, as well as becoming adept at fencing, boxing and shooting. He won trophies, including the Bisley Match, with his unit's crack rifle team. However, after four years, he suddenly lost his means of financial support (independent income being a requirement as a Guardsman) when his stepfather discontinued his allowance. Broke, he tried his hand at acting in small parts on the London stage. There are several stories as to how he derived his stage name. It is known, that during his teens he called himself "Mullane", using his stepfather's surname. He may later have suffused "Mullane" with "mill-lands", an area near his hometown. When he first appeared on screen in British films, he was billed first as Spike Milland, then Raymond Milland. In 1929, Ray befriended the popular actress Estelle Brody at a party and, later that year, visited her on the set of her latest film, The Plaything (1929). While having lunch, they were joined by a producer who persuaded the handsome Welshman to appear in a motion picture bit part. Ray rose to the challenge and bigger roles followed, including the male lead in The Lady from the Sea (1929). The following year, he was signed by MGM and went to Hollywood, but was given little to work with, except for the role of Charles Laughton's ill-fated nephew in Payment Deferred (1932). After a year, Ray was out of his contract and returned to England. His big break did not come until 1934 when he joined Paramount, where he was to remain for the better part of his Hollywood career. During the first few years, he served an apprenticeship playing second leads, usually as the debonair man-about-town, in light romantic comedies. He appeared with Burns and Allen in Many Happy Returns (1934), enjoyed third-billing as a British aristocrat in the Claudette Colbert farce The Gilded Lily (1935) and was described as "excellent" by reviewers for his role in the sentimental drama Alias Mary Dow (1935). By 1936, he had graduated to starring roles, first as the injured British hunter rescued on a tropical island by The Jungle Princess (1936), the film which launched Dorothy Lamour's sarong-clad career. After that, he was the titular hero of Bulldog Drummond Escapes (1937) and, finally, won the girl (rather than being the "other man") in Mitchell Leisen's screwball comedy Easy Living (1937). He also re-visited the tropics in Ebb Tide (1937), Her Jungle Love (1938) and Tropic Holiday (1938), as well as being one of the three valiant brothers of Beau Geste (1939). In 1940, Ray was sent back to England to star in the screen adaptation of Terence Rattigan's French Without Tears (1940), for which he received his best critical reviews to date. He was top-billed (above John Wayne) running a ship salvage operation in Cecil B. DeMille's lavish Technicolor adventure drama Reap the Wild Wind (1942), besting Wayne in a fight - much to the "Duke's" personal chagrin - and later wrestling with a giant octopus. Also that year, he was directed by Billy Wilder in a charming comedy, The Major and the Minor (1942) (co-starred with Ginger Rogers), for which he garnered good notices from Bosley Crowther of the New York Times. Ray then played a ghost hunter in The Uninvited (1944), and the suave hero caught in a web of espionage in Fritz Lang's thriller Ministry of Fear (1944). On the strength of his previous role as "Major Kirby", Billy Wilder chose to cast Ray against type in the ground-breaking drama The Lost Weekend (1945) as dipsomaniac writer "Don Birnam". Ray gave the defining performance of his career, his intensity catching critics, used to him as a lightweight leading man, by surprise. Crowther commented "Mr. Milland, in a splendid performance, catches all the ugly nature of a 'drunk', yet reveals the inner torment and degradation of a respectable man who knows his weakness and his shame" (New York Times, December 3, 1945). Arrived at the high point of his career, Ray Milland won the Oscar for Best Actor, as well as the New York Critic's Award. Rarely given such good material again, he nonetheless featured memorably in many more splendid films, often exploiting the newly discovered "darker side" of his personality: as the reporter framed for murder by Charles Laughton's heinous publishing magnate in The Big Clock (1948); as the sophisticated, manipulating art thief "Mark Bellis" in the Victorian melodrama So Evil My Love (1948) (for which producer Hal B. Wallis sent him back to England); as a Fedora-wearing, Armani-suited "Lucifer", trawling for the soul of an honest District Attorney in Alias Nick Beal (1949); and as a traitorous scientist in The Thief (1952), giving what critics described as a "sensitive" and "towering" performance. In 1954, Ray played calculating ex-tennis champ "Tony Wendice", who blackmails a former Cambridge chump into murdering his wife, in Alfred Hitchcock's Dial M for Murder (1954). He played the part with urbane sophistication and cold detachment throughout, even in the scene of denouement, calmly offering a drink to the arresting officers. With Lisbon (1956), Ray Milland moved into another direction, turning out several off-beat, low-budget films with himself as the lead, notably High Flight (1957), The Safecracker (1958) and Panic in Year Zero! (1962). At the same time, he cheerfully made the transition to character parts, often in horror and sci-fi outings. In accordance with his own dictum of appearing in anything that had "any originality", he worked on two notable pictures with Roger Corman: first, as a man obsessed with catalepsy in The Premature Burial (1962); secondly, as obsessed self-destructive surgeon "Dr. Xavier" in X (1963)-the Man with X-Ray Eyes, a film which, despite its low budget, won the 1963 Golden Asteroid in the Trieste Festival for Science Fiction. As the years went on, Ray gradually disposed of his long-standing toupee, lending dignity through his presence to many run-of-the-mill television films, such as Cave In! (1983) and maudlin melodramas like Love Story (1970). He guest-starred in many anthology series on television and had notable roles in Rod Serling's Night Gallery (1969) and the original Battlestar Galactica (1978) (as Quorum member Sire Uri). He also enjoyed a brief run on Broadway, starring as "Simon Crawford" in "Hostile Witness" (1966), at the Music Box Theatre. In his private life, Ray was an enthusiastic yachtsman, who loved fishing and collecting information by reading the Encyclopedia Brittanica. In later years, he became very popular with interviewers because of his candid spontaneity and humour. In the same self-deprecating vein he wrote an anecdotal biography, "Wide-Eyed in Babylon", in 1976. A film star, as well as an outstanding actor, Ray Milland died of cancer at the age of 79 in March 1986.